Its hard to just mentally sit back, and release all the visual mental expectations,
(dreamed of while painting the in-glaze lustres on ceramics)
while opening the kiln and seeing the newly fired versions.
Its hard just sitting back, and letting go of the visual expectations
(dreamed of while painting the in-glaze lustre mixes on ceramics)
when Opening the kiln, and seeing the fired versions.
Whether I am surprised beyond belief, visually adjusting to the unexpected,
taking awhile to relax to the result or what the...
It doesn't just stop there.
Capturing a lustre piece accurately with a camera
 brings on another 40 shades possibilities in my realm of creative chaos

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