There are places that stay with you long after you’ve left them. Alaska was one of those places for me. Its vastness—those luminous skies, mirrored lakes, and quiet stretches of wildness—did something to my sense of scale and presence. I returned home with more than photographs; I carried an imprint, a vibration I wasn’t ready to set down. In the studio, that imprint has become an evolving language. I’ve been layering paint, ink, and collage papers, letting memory guide composition more than...

What a beautiful weekend in Ojai — sunshine, art lovers, and a whole lot of good conversation. The three-day  Ojai Studio Artists Open Studio Tour  was a blast, and I’m deeply grateful to everyone who stopped by. Highlights included the  first public showing of  The Big Roundie  — a seven-foot rotating landscape that spun all weekend long (among the questions asked: does it tell your fortune? is it a portal to another dimension?)— plus a table full of my  illustrated journals and sketchbooks...

I’m excited to have had many requests for classes/workshops for plein air painting.

I'm happy to let you know that I’ll be offering some options for guided art fun in the outdoors—getting out to paint the . . .

My husband's first camera was a Kodak Retina S1, that still sits on a shelf in our home, standing proud, heavy and small. But what a big deal it was for him as a 6th grader when his father bought it for his birthday. The Kodak simplified. . ..

We had marvelous conversations with so many visitors during this October tour from Insights about Turner and Rothko, my two favorite artists, to discussions about Bergamot Station galleries. Our senior dog . . .

One of the most rewarding parts of the tour was responding to your thoughtful questions. I wanted to share a few that came up most often, along with my reflections. "Where do you start?" . . .

This year's Studio Tour was by far one of the best in years! The turnout was terrific with great conversations with many new and returning art lovers. . .

This is a picture of one of my pieces in the Fall Tour Brochure - above my add. I could not believe it when a couple walked in to the studio, held up the brochure and said we are buying this. . .

What attracts one to a representational painting? The composition, values, play of light and shadows, brushwork , and color are all extremely important . . .

The morning began wrapped in mist—the air was cool enough to carry the scent of eucalyptus and damp earth. I set up across the road from...